Femmy Otten worked on a wooden version of this sculpture for nine months, throughout her pregnancy. By taking her time, she was able to create some distance from her work. Femmy Otten noticed that there are relatively few representations of pregnant women in art history, especially in contemporary art. Works by female artists who are mothers are also underrepresented in public spaces.
This new marble version is again preceded by nine months of precision work. The sculpture was not modelled by a man's gaze. Its nudity is in no way erotic, but rather disarming.
Without the weight of clothing, we are all equal, which is comforting. You can feel the gentleness and love that the artist has put into her work. Unlike a classical sculpture, it does not rest on a pedestal. The woman's hand touches the surface of the water, which becomes a kind of fluid support.
The woman is lying in a very uncomfortable position. She has what looks like a ball and chain on her leg: at her feet lies a tangle of body parts. At the same time, she seems to be able to keep everything in balance. The maternal figure possesses the primal power to give life and is at the same time very vulnerable.
Source: www.visitwestvlaanderen.be
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